VOLVER AL MAÑANA - FYC - BEST TROPICAL ALBUM

Luchito Muñoz

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PA QUE ME QUIERAS - FYC - Best Arrangement, Instruments and Vocals.

Luchito Munoz feat. Ed Calle & Keybeaux

PA QUE ME QUIERAS, is a cornerstone track from the album 'Volver al Mañana'. I’ve fused the classic cha-cha groove with the textures of old-school R&B and the drive of hip-hop. Built upon this, I’ve layered jazz Read more

PA QUE ME QUIERAS, is a cornerstone track from the album 'Volver al Mañana'. I’ve fused the classic cha-cha groove with the textures of old-school R&B and the drive of hip-hop. Built upon this, I’ve layered jazz harmonies and traditional call-and-response structures, anchored by Ed Calle’s tenor sax and the powerful textures of a Nigerian gospel vocal group. Vocals feature my own performance in Spanish, with Kebeaux leading the English section. Composed and arranged by Luchito Muñoz, Pa Que Me Quieras It is an architectural fusion connecting the Afrolatin and African American diasporas.

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Beso De Un Minuto - FYC - Best Global Music Performance

Luchito Muñoz

"Beso de un Minuto" positions the bolero as the ultimate global expression of Hispanic romanticism. This track represents the deliberate decision made alongside songwriter Jim Donato to integrate a bolero , serving as a Read more

"Beso de un Minuto" positions the bolero as the ultimate global expression of Hispanic romanticism. This track represents the deliberate decision made alongside songwriter Jim Donato to integrate a bolero , serving as a profound tribute to the most sublime and universal side of Hispanic music heritage.

The bolero dares to convey what other contemporary genres shy away from, preserving the essential power of subtlety and intellectual intimacy—qualities far bolder and more resonant than any explicit lyric found in today's trending songs. "Beso de un Minuto" embodies pure vintage heritage, stemming from a composition by Gumersindo Donato (Jim's father: 1929–1988). Infusing these global sounds with deep personal lineage, the arrangement and vocal delivery carry the enduring influence of my own father (1915–2012) in every chord, phrase, motif, capturing the timeless elegance of how a true bolero must be interpreted on a global stage.

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Pa' Que Me Quieras - FYC - Best Global Music Performance

Luchito Munoz feat. Ed Calle & Keybeaux

PA QUE ME QUIERAS, is a cornerstone track from the album 'Volver al Mañana'. I’ve fused the classic cha-cha groove with the textures of old-school R&B and the drive of hip-hop. Built upon this, I’ve layered jazz Read more

PA QUE ME QUIERAS, is a cornerstone track from the album 'Volver al Mañana'. I’ve fused the classic cha-cha groove with the textures of old-school R&B and the drive of hip-hop. Built upon this, I’ve layered jazz harmonies and traditional call-and-response structures, anchored by Ed Calle’s tenor sax and the powerful textures of a Nigerian gospel vocal group. Vocals feature my own performance in Spanish, with Kebeaux leading the English section. Composed and arranged by Luchito Muñoz, Pa Que Me Quieras It is an architectural fusion connecting the Afrolatin and African American diasporas.

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For Your Consideration - GRAMMY AWARD

FYC - Volver al mañana

Best tropical album

Volver al Mañana is a genuine communion of claves; an album where the diverse ways of feeling and understanding the clave within Afro-Caribbean and Latin music are integrated and celebrated. The production represents a fundamental milestone for contemporary salsa by achieving the historic feat of reuniting the original members of Seis del Solar, the emblematic group that accompanied legend Rubén Blades during one of his most defining eras.

The album intertwines the mastery and legacy of major global figures: Giraldo Piloto, one of the most important architects of modern timba; maestro Ed Calle, the most-recorded Latin saxophonist in the United States; and Alexis Pututi, alongside renowned musicians from Peru, Cuba, Mexico, Nigeria, Venezuela, the United States, Chile, and Italy.

Under the musical production, direction and arrangemts of Luchito Muñoz, the impeccable sound engineering of Dennis Shapiama, and the executive production of Puerto Rican  Songwriter Jim Donato—who is also the writer of 5 of the tracks—this album consolidates an international vanguard proposal that pushes the boundaries of the genre toward new sonic horizons.